Nardo di Cione

Italian Byzantine Style Painter, active 1343-ca.1365 was an Italian painter, sculptor and architect from Florence. He was the brother of the more accomplished Andrea di Cione, called Orcagna, as well as Jacopo di Cione; they were important members of the Painter's Guild of Florence. While Orcagna has been noted as the more accomplished artist, Nardo developed his own unique style, described as a pronounced lyrical vein, a feeling for poetic values, strong human sympathies and great sensitivity to colour as a means of subtle differentiation and soft modeling. The brothers collaborated on a number of works from their studio together, including the decorations from the Cappella Strozzi in the Santa Maria Novella. While Orcagna painted the altarpiece, Nardo executed the frescoes of The Last Judgment, Paradise and Hell.
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Nardo di Cione Crucifixion Scene with Mourners SS.Jerome,James the Lesser,Paul,James the Greater,and Peter Martyr oil


Crucifixion Scene with Mourners SS.Jerome,James the Lesser,Paul,James the Greater,and Peter Martyr
Painting ID::  29700 		Crucifixion Scene with Mourners SS.Jerome,James the Lesser,Paul,James the Greater,and Peter Martyr
mk67 Tempera on panel 57 1/8x27 15/16in
mk67 Tempera_on_panel 57_1/8x27_15/16in
   
   
     
Nardo di Cione The Trinity and SS.Romuald and john the Evangelist Three Stories from the Life ofSt.Romuald oil


The Trinity and SS.Romuald and john the Evangelist Three Stories from the Life ofSt.Romuald
Painting ID::  29701 		The Trinity and SS.Romuald and john the Evangelist Three Stories from the Life ofSt.Romuald
mk67 Panel 119 1/8x83 7/16in Accademia,Gallery
mk67 Panel 119_1/8x83_7/16in Accademia,Gallery
   
   
     
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     Nardo di Cione
     Italian Byzantine Style Painter, active 1343-ca.1365 was an Italian painter, sculptor and architect from Florence. He was the brother of the more accomplished Andrea di Cione, called Orcagna, as well as Jacopo di Cione; they were important members of the Painter's Guild of Florence. While Orcagna has been noted as the more accomplished artist, Nardo developed his own unique style, described as a pronounced lyrical vein, a feeling for poetic values, strong human sympathies and great sensitivity to colour as a means of subtle differentiation and soft modeling. The brothers collaborated on a number of works from their studio together, including the decorations from the Cappella Strozzi in the Santa Maria Novella. While Orcagna painted the altarpiece, Nardo executed the frescoes of The Last Judgment, Paradise and Hell.

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